Wonderwool Wales 2

During this years show I did a number of demonstrations on dyeing with extracts using the "All-in-One" dyeing method.

The first demo on each day was painting tops and hanks and could also be used on warps.  On Saturday I "painted" two 50g bumps of Blue Face Leicester tops and one 100g hank of Blue Faced Leicester lace weight yarn with Lodhra Bark and Kamala.

On Saturday afternoon I used the "All-in-One" method to dye two centre-pull balls with Red Lac and Dhak.  The first one was a two bath dyed ball and the second was an injection ball.

Left: Two Baths  Right: Injection Dyed

Left: Two Baths  Right: Injection Dyed

How the hanks look!

Sunday mornings tops and hank were painted with Cutch and Cutch Waste.

In the afternoon the centre-pull balls were dyed with Chaste Tree and Madder.

Left: Two baths  Right: Injection dyed

Left: Two baths  Right: Injection dyed

The yarn was purchased from Yarnundyed is beautifully soft and has a lovely sheen.  I'm really thrilled with the results.

Learn your ABC with a Dyer!

A is for Anthurium, that waxy flower grown throughout the world and, in particular, Hawaii.

I first discovered them when I was looking for inspiration for my final project at Bradford College in 2004. The resulting designs and products I’ve woven as a result of the anthurium inspiration have brought me continued recognition.

This little colour palette, that I worked for a yarn I designed for Yarnmaker magazine, features one of my favourite colours.

We could use Red Lac, for the red and the pink and Cutch Waste for the khaki green, what would you use?

Colour Palette of the Month - May!

Last month I picked an image of a building in The Hague that made me think of rugs for my colour palette inspiration.  However, one or two people thought it was a bit dull for a Spring palette.

This month I've picked a beautiful cornflower image.  I snapped the cornflowers in Rochfort sur Mar while I was on the Wednesday morning excursion at ISEND.

 When trying to replicate the dye colours I'd try:

Green - kamala over-dyed with indigo.

Blue/green - myrobalan over-dyed with indigo.

Bottle green - kamala with two dips in indigo.

Bright blue - five minutes in indigo.

Pale blue - one minute in indigo.

Red - a mix of red lac and kamala.

I hope you like it.  Let me know what you think, does it work for you?  What dyes would you use?

Colour Palette of the Month - April!

Last month Jane Deane, Amanda Hannaford, Helen Melvin and I were in The Hague for a workshop.  It was arranged by Dineke de With, who lives in Leidschendam just north of the city.  We were making our way to catch the tram into The Hague when we came across this building which immediately made Jane and I think "Rug"!

I was tempted to rotate the image of the building 90 degrees, laying it on it's side, more reminiscent of a rug, but resisted.  Would you have rotated it?  I'd be interested to know.


So what colours would I use to dye the yarn for my rug?
From Left to Right:
Golden dock modified with iron.
Golden dock modified with copper.
Myrobalan modified with citric acid.
Myrobalan modified with iron.
Cutch.
Golden dock modified with washing soda.
Pomegranate modified with iron.
Red lac modified with iron.
Don't for get that these colours are with my water, they may vary with the water in your area.
What would you use?

Colour Palette of the Month - February!

In November I was in Liverpool for a birthday treat.  Obviously a trip to the docks is a must and while there I took this photograph.

Initially it was the shapes that attracted me, but once uploaded to Photoshop the colours caught my eye and following my interest in urban colour I decided to use it for my February colour palette.

How would I recreate the colours in natural dye extracts?

From Left to Right:
Several dips of indigo; a pale yellow, maybe oak gall or 2% kamala with a couple of dips indigo; oak gall or 2% kamala with one light dip of indigo; a very light dip in indigo; two or three dip in indigo; one short dip in indigo and finally a 2% red lac or a mix of red lac and lodhra bark.

How would you recreate the colours?

I hope you enjoy it.

Colour Palette of the Month - October

Last month I took my daughter to University in Aberdeen, while there we visited the Winter Gardens, a series of Victorian glass houses in Duthie Park south of the city.

I love anthuriums, they are a recurring theme in my work.  They are such strong flowers, strong in form, shape and colour and are the inspiration for this months colour palette. I worked on this palette when we got back from Aberdeen and just before we went to exhibit at 100% Design.  By coincidence one of the strong colours at the show was magenta!

I hope you enjoy this palette with or without the green I’ve added as a contrast.  Green's not an easy colour to get accurately in natural dyes, but it's worth a try to get one of these greens, so try indigo with dhak.  For the magenta try a little purple lac for the pale version at the bottom and with a little copper water for the second from the bottom.  For the dark colour how about trying a short indigo dip with red lac at 4%.

How to Dye Wood

I'm often asked if Pure Tinctoria natural dye extracts can be used to dye wood and my answer is yes they can, but I'm not sure how.

Now I know!  My craft & design student has done some research for me, as he wants to use the dyes to stain wood he is using to produce furniture and has given me the link to a useful website.  The main gist of the information is to dye wood using plants, but could easily be used  with extracts.

Darren has gone home with some of the extracts, red lace, cutch waste and dhak (tesu flower) and says he will do some experiments for me.  He really is a star!  I will post his results on this blog.

Woolfest 2010

Back from Woolfest where we met a lot of lovely new people and a lot of old friends.

Lorraine and I launched a new range of dyed wool yarns; Bluefaced Leicester Aran and Bluefaced Leicester and nylon sock yarn, both in a lovely range of colours.

The hand painted cutch waste and red lac and the hand painted rhubarb root and purple lac where hot favourites.  So watch out for these on the Pure Tinctoria website in the next week.

Naturally Dyed Rug by Janet Walker

One of Jane Deane's spinning and weaving students has handspun and dyed her yarn for a beautiful rug.

Janet used indigo, purple lac, red lac, madder and a yellow (that Jane couldn't remember!) all from the Pure Tinctoria range.

Take a look at the image on the right to see her fabulous result.

A Felt Maker and Spinner uses Pure Tinctoria

Debbie Allen from the West Midlands has been experimenting with our natural dye extracts and has produced some lovely trial yarns.  Take a look at her blog to see what she's been up to!
http://feltersjourney.blogspot.com/2010/02/experimental-projects.html

Summer Competition Update

We are starting to get some lovely ideas from you all for our Summer Competition, ranging from a Multi-Directional Scarf to knitted mittens! Please keep the ideas coming in.

For those of you who missed our post about the competition, here are the rules:

Alison has spun some Shetland tops, she dyed earlier this year, and can't decide what to make from the yarn she has produced and is asking for your help. In return you can win one of two packs of dyes - a Mini Starter Kit or a Spring 4 Collection.

Alison dyed one 50g lot of Shetland tops with Myrobalan, Madder and Acacia Gum and the other 50gs was dyed with Red Lac and Annatto. She pulled staple lengths of fibre from each top and spun these in turn. The resulting singles yarn was then Navajo plyed (3 ply), to keep the lovely colours separate. There are approximately 8 - 9 wraps to an inch (Double Double/Chunky Yarn!) and approx. 250 yards in all.

We are looking for a suitable knitting or crochet pattern or whatever you can come up with that stylish and bang on trend!

For your chance to win one of the two dye kits you will need to visit the Pure Tinctoria website and either place an order and leave your idea in the comment section or click on Contact Us at the top right hand side of the website and leave your email address, name and message. The item that is produced from the winning idea will be featured on the Pure Tinctoria website and on this blog. We are looking forward to your ideas.

Good luck, oh, and the closing date is Monday 31 August, so there's just over a month for you to put your thinking caps on!

Pure Tinctoria Summer Competition

Hi all

We are running a competition at Pure Tinctoria, this summer. Alison has spun some Shetland tops, she dyed earlier this year, and can't decide what to make from the yarn she has produced and is asking for your help. In return you can win one of two packs of dyes - a Mini Starter Kit or a Spring 4 Kit.

Alison dyed one 50g lot of Shetland tops with Myrobalan, Madder and Acacia Gum and the other 50gs was dyed with Red Lac and Annatto. She pulled staple lengths of fibre from each top and spun these in turn. The resulting singles yarn was then Navajo plyed (3 ply), to keep the lovely colours separate. There are approximately 8 - 9 wraps to an inch (Double Double/Chunky Yarn!) and approx. 250 yards in all.

Alison is looking for a suitable knitting or crochet pattern or whatever you can come up with that stylish and bang on trend!

For your chance to win one of the two dye kits you will need to visit the Pure Tinctoria website and either place an order and leave your idea in the comment section or click on Contact Us at the top right hand side of the website and leave your email address, name and message. The item that is produced from the winning idea will be featured on the Pure Tinctoria website and on this blog. We are looking forward to your ideas.

Good luck

Jenny Dean's Red & Purple Lac Experiments

I've just been trying to catch up with blog posts that I've been following. Rather late, I know, but I came across this blog post by Jenny Dean.
As you may know, Jenny Dean is a wonderfully experienced dyer and I have all of her books! She is the one person who has inspired me to keep dyeing naturally over the years.
Well, to the point, Jenny did some lovely dyeing experiments with red and purple lac way back in December and I wanted to draw your attention to her results. If you follow the following link you will see the results of modification on the lac which are truly wonderful: http://www.jennydean.co.uk/wordpress/?p=214
Many thanks Jenny!

Mordanting Cellulose Fibres

I was reading Deb Bamfords blog, A History of Colour, today and her post was about mordanting cellulose fibres. This prompted me write about some mordanting I did earlier this year with my friend Lorraine.

Those of you who visit Pure Tinctoria at Woolfest and Wonderwool Wales will know Lorraine as my very able helper. I wanted to reward Lorraine for all the help she gives me at these events and won't take a penny in recompense. Knowing she likes makeing quilts, last year I gave her a dyeing kit and cotton fabric for her birthday, and we got together to do the mordanting.

Now, I'm a passionate advocate for wool, British in particular, so I had to get out all my books to check how to do the mordanting properly! I knew I could do it in a one stage process, using aluminium acetate, but Lorraine wanted to do it "traditionally" with the everything in her "kit". So we opted to follow the alum, tannin, alum process. The tannin component was Amber-M (Oak Gall).

I was really impressed with the fabulous colours we got. They are so rich.

This image is of the colours before Lorraine pressed the fabric, but even then they are really beautiful. From Left to Right they are:
Ganges (Dhak), Amazon (Annatto), Rhine-M (Red Lac) and Rhine-S (Purple Lac).

Rhubarb and Custard Update!

Well I've finally managed to take a photograph of my Rhubarb and Custard scarf and here it is.
I can't give you the pattern for this one as it's copyright, but it's knitted on the diagonal.

I spun the Shetland fibres by taking alternate staple lengths of each colour, red lac and marigold. I didn't want precise staples so that I got a good mix of red lac with red lac and marigold with marigold and red lac with marigold when I plied the two singles.

Rhubarb and Custard!

Hi, do you remember the hanks of wool yarn and Shetland tops I dyed at the end of last month, well I've spun up the 2% Red Lac (Rhine-M) and the 2% Marigold (Ambrosia) and here is the result.

I'm really delighted with the hank which is pun on my Jumbo flyer. I took staple lengths of each colour, alternating each colour as I spun. The staple lengths weren't accurately weighed as I wanted some overlap of the colours.

I'm going to knit it into a diagonal scarf, from a pattern I was shown in The Hague at Dineke's workshop last month, which I'm hoping will give me some subtle diagonal stripes. If I have any left I might just get out my Knitters Loom and weave a narrow scarf, too.

Shetland Tops in Natural Dyes

Well I've spun up one of the Shetland tops I dyed at the demo on Saturday. (Tops 6)

I spun it on Monday and have been knitting a lovely spiral scarf that I was shown in The Hague.

This is the pattern:
Cast on 20 stitches
K one row
*Slip the 1st st, K 8, Yfwd, sl 1 P wise, Turn
P to end (10 st)
Sl 1st st, K 6, Yfwd, sl 1 P wise, Turn
P to end (8st)
Sl 1st st, K 4, yfwd, sl 1 P wise, Turn
P to end (6 st)
Sl 1st st, K 4, (pick up loop under next st and k together with that st, K 1) repeat once, Pick up next loop and k with st. P to end
Repeat from * until desired length is achieved, cast off and secure ends.

It's a really easy pattern and can be knitted in any yarn with any needles! Thanks to Dineke of De Spinners who showed me how!

Clay Cross Lace and Textile Celebration Day

Hi all

on Saturday I was invited to the above event in Derbyshire. In the morning I did a natural dye extracts demonstration and produced the lovely hanks and tops you can see on the right.
The hanks were 95% Blue Face Leicester with a 5% nylon binder and the tops were Shetland.
From the right:
Hank 1 - an immersion bath of Lodhra Bark (Amber-L).
Hank 2 - I painted this one with Annatto (Amazon) and Red Lac (Rhine-M).
Tops 1 - an immersion bath of a mix of Annatto and Red Lac.
Hank 3 - painted with Madder (Indus), Acacia Gum (Caspian) and Kamala (Basant).
Tops 2 - I painted this one with Madder (Indus), AcaciaGum (Caspian) and Myrobalan (Kango).
Tops 3 - this lovely baby pink was an immersion bath of 2% Red Lac (Rhine-M).
Tops 4 - a lovely soft lemon yellow from a 2% immersion bath of Marigold (Ambrosia).
Tops 5 - this is a baby alpaca and bleached tussah silk top painted with Madder (Indus) and Myrobalan (Kango) .
Hank 4 - painted with Madder (Indus), Myrobalan (Kango) and Rhubarb Root (Desert).
Tops 6 - painted with Annatto and Red Lac.

In the afternoon I tutored a Design for the Terrified Master Class. Altogether a very enjoyable day!

Gift Idea No 11! or my brains getting sore!

Oh, dear, my plan to blog every day with a new gift idea is sadly falling by the wayside. It's not that I can't think of ideas for all your "fibrey friends", it's just that I can't think of any more really exciting ideas.

Well that's not quite true. I've come up with some cracking ideas, but they will take time to put together, and times what I don't have!

We'd love to provide some naturally dyed warps for those weavers who don't like making them themselves, either because they don't have the time or the inclination, but want something that little bit different. I'd love the hear from you, as to whether this is something you'd like to see in the UK. There are a number of companies in the US who sell pre-dyed and made up warps, but we haven't been able to find any here, so I'm commissioning Jane Deane to dyes some for me for the New Year, but that's a month or more away.

In the mean time, those of you who do like dyeing why not treat yourself to the Rivers Collection, which includes 10g Amazon (Annatto), 25g Ganges (Dhak), 25g Indus (Madder), 25g Nile (Natural Indigo), 25g Rhine-M (Red Lac) and 25g Rhine-S (Purple Lac) and all instructions.

This collection is now only £20.50 and represents good value for money for such a lovely collection of colours.