Hurrah, we've got another new retailer, this time in the US.
So if you live in the United States and are looking for a fabulous range of natural dye extracts, please take a look at Talia's beautiful website: International Fleeces
If you don't like shopping via the internet, here's the International Fleeces contact details:
International Fleeces
2308 Sheridan Street
Laramie
WY 820070
(307) 742-3140
Talia has worked really hard over the last few weeks getting all the information correct and deserves your patronage so join me in wishing her well with this new venture.
Alison
Notes from the sketchbooks and archives of a dyer and her friends.
Friday 28 May 2010
Saturday 22 May 2010
Solar Dyeing
Hi,
this is nothing new, but for me it is. It's something I've always wanted to do, but never found the time or had the right weather to do it!
Recently I joined the Sustainable Natural Dye Practice Yahoo Group and this month we have been studying annatto. As usual, I've been rather busy and not had time to do any dyeing to speak of, just dye packing! But today, Saturday, one of my weave students didn't turn up, so rather than waste the day I got out my stainless steel pot with glass lid, annatto and some fibres, fabrics and yarn and made a start. Better late than never, you all might say.
I already had some Corridale fibre and a silk scarf that had been pre-mordanted in alum and cream of tartar, a small amount of merino, un-mordanted, and with a small hank of un-mordanted cotton yarn that totalled 100g. I put 5g of annatto into a small amount of warm water to dissolve and put this in my pot, adding sufficient warm water to cover my fibres, fabric and yarn that had been soaking in warm soapy water.
I added the wetted goods, put on the glass lid and it's now in the garden in full sun! It'll have to be moved around to keep in the sun, but that's not a hardship. I'll periodically check the temperature to see how it's cooking, just out of curiosity more than anything. When it's dull I'll put it on the south facing window sill in the house and hopefully keep it cooking for at least 3 days! Not really sure how long to cook it for, all the references on the internet give different times, ranging from 1 day (8 hours) to 3 weeks!
I've just checked the temperature with my dye thermometer and it's not quite up to 50oC, so it looks like it'll be a few days, at least before it's ready to be rinsed. It's the ideal temperature for indigo, but not for my annatto.
this is nothing new, but for me it is. It's something I've always wanted to do, but never found the time or had the right weather to do it!
Recently I joined the Sustainable Natural Dye Practice Yahoo Group and this month we have been studying annatto. As usual, I've been rather busy and not had time to do any dyeing to speak of, just dye packing! But today, Saturday, one of my weave students didn't turn up, so rather than waste the day I got out my stainless steel pot with glass lid, annatto and some fibres, fabrics and yarn and made a start. Better late than never, you all might say.
I've just checked the temperature with my dye thermometer and it's not quite up to 50oC, so it looks like it'll be a few days, at least before it's ready to be rinsed. It's the ideal temperature for indigo, but not for my annatto.
Thursday 6 May 2010
Sustainability
I've just finished quite a busy few weeks looking at sustainability.
It began with the Rebecca Early lecture and workshop at Nottingham Trent University. Becky has been doing a lot of research into sustainability and with a group of lecturers at the Chelsea College of Art and Design set up TEDResearch. Please take a look at Rebecca's website and at the TED website which has some interesting and very useful resources and while you're there don't forget to sign up for their newsletter!
Last week saw me at NTU again, for the Private view of Akihiko Izukura's exhibtion, Life in Colours. Running alongside the exhibition has been a set of four workshops which explore Mr Izukura's philosophy of natural textiles, Spinning, Reeling, Dyeing and Weaving and Braiding.
The exhibition is a revelation and a profusion of colour! Who said natural dyeing was boring! If you've in the Nottingham area is really is worth tracking down the exhibition at NTU's Bonington Gallery, your won't be disappointed unless you hate colour! If weaving is your thing, you won't help being amazed at the skill of his weaving of traditional sashes, Obi, or his skill in braiding which is manipulated to fit the body.
The morning following the Private View I attended a Spinning workshop with Mr Izukura. It wasn't what I'd call spinning, but was very interesting, never the less. We had six silk worm cocoons that had been de-gummed and which contained two silk worms. These "double" cocoons are not good for reeling as the two silk worms in the one cocoon cause the silk filament to tangle. We pulled the softened cocoons into rectangles then moulded them over balloons and plastic to form 3D shapes, which were then painted with rice paste to stiffen then when the paste dried.
The afternoon was followed with the Natural Dye workshop, which for me was so wonderfully refreshing and completely different to any natural dyeing that I do. I chose to dye a silk scarf which had been woven in Mr Izukura's factory in Kyoto, Japan. The warp was spun silk and the weft was noil silk and took the dyes beautifully.
I wetted my scarf, pleated it diagonally, forming a small triangle which I then pleated across the triangle and tied with two elastic bands. I dipped one end in logwood, the other in cochineal, the top of the centre in walnut and the bottom centre in clove.
To fix the dyes I dipped the whole scarf in Camillia Ash water, then dipped the ends in fermented iron water. This picture really doesn't do the colours justice. What was amazing in this workshop was that we didn't use any heat and the dipped very quickly!
I was back again this week for a Reeling Workshop, where we reeled six cocoons into 3D shapes over balloons and plastic cylinders. Very similar to the Spinning workshop, but using the filament silk rather than the noil. We spent the afternoon weaving and braiding naturally dyed paper yarn into an interesting "neck piece".
My whole practice has been questioned by these events, how can I make my practice more sustainable and how do I take on board Mr Izukura's philosophy, putting nature before ego and practice!
So much food for thought.
It began with the Rebecca Early lecture and workshop at Nottingham Trent University. Becky has been doing a lot of research into sustainability and with a group of lecturers at the Chelsea College of Art and Design set up TEDResearch. Please take a look at Rebecca's website and at the TED website which has some interesting and very useful resources and while you're there don't forget to sign up for their newsletter!
Last week saw me at NTU again, for the Private view of Akihiko Izukura's exhibtion, Life in Colours. Running alongside the exhibition has been a set of four workshops which explore Mr Izukura's philosophy of natural textiles, Spinning, Reeling, Dyeing and Weaving and Braiding.
The morning following the Private View I attended a Spinning workshop with Mr Izukura. It wasn't what I'd call spinning, but was very interesting, never the less. We had six silk worm cocoons that had been de-gummed and which contained two silk worms. These "double" cocoons are not good for reeling as the two silk worms in the one cocoon cause the silk filament to tangle. We pulled the softened cocoons into rectangles then moulded them over balloons and plastic to form 3D shapes, which were then painted with rice paste to stiffen then when the paste dried.
I wetted my scarf, pleated it diagonally, forming a small triangle which I then pleated across the triangle and tied with two elastic bands. I dipped one end in logwood, the other in cochineal, the top of the centre in walnut and the bottom centre in clove.
To fix the dyes I dipped the whole scarf in Camillia Ash water, then dipped the ends in fermented iron water. This picture really doesn't do the colours justice. What was amazing in this workshop was that we didn't use any heat and the dipped very quickly!
I was back again this week for a Reeling Workshop, where we reeled six cocoons into 3D shapes over balloons and plastic cylinders. Very similar to the Spinning workshop, but using the filament silk rather than the noil. We spent the afternoon weaving and braiding naturally dyed paper yarn into an interesting "neck piece".
My whole practice has been questioned by these events, how can I make my practice more sustainable and how do I take on board Mr Izukura's philosophy, putting nature before ego and practice!
So much food for thought.
Tuesday 4 May 2010
Naturally Dyed Rug by Janet Walker
Janet used indigo, purple lac, red lac, madder and a yellow (that Jane couldn't remember!) all from the Pure Tinctoria range.
Take a look at the image on the right to see her fabulous result.
Subscribe to:
Posts (Atom)
